Are you or a member of your family a "frontline worker" in the Covid-19 Pandemic? We want your story!
Click HERE to complete the information for yourself or a family member or friend. We will include as many stories as we can in the upcoming issue of IDM.
We want to here from everyone on the frontline - doctors, nurses, delivery drivers, grocery store workers, firefighters, anyone who is on the frontline helping with this effort.
*Include two photos of yourself: one "at work" and a headshot/casual/or dance related photo.
Today is the first day of the rest of your dance life, so take the challenge and make things happen for yourself!
Ellen G Walker TCRG - owner of Target Training - shared this challenge with IDM readers in September 2018. With restrictions in place limiting your studio time, we thought it was the perfect time to share again!
What if I told you that by stabilizing and strengthening one muscle group, you could reduce your risk of injury, improve your balance, and promote proper alignment? That is all possible by developing the muscles in your core!
Your core is comprised of bones, muscles and ligaments in your shoulder girdle, trunk, pelvis and hip. The superficial trunk muscles (muscles closer to the skin) and deep trunk muscles (further from the skin) are responsible for providing stability within your core. Your core is the center of your gravity in your body and when developed properly, improves your balance, power, and stability. This is important to Irish Dancers who are frequently leaping, turning, and moving quickly across the floor.
The 30-Day Core Challenge To jumpstart your core training, we’ve developed an easy-to-follow yet challenging, 30 Day Core Challenge. Follow along with the exercises below and add modifications to them as you need to. Couple notes for the challenge:
Exercise Form Always make sure that you are performing each exercise with proper form. Follow along with the photos and guidelines in this article to help you.
Modifications For all the exercises, we give recommendations to make them more challenging by changing the exercise slightly or changing the tempo (how quickly you’re doing each movement). By changing the tempo, this will force your muscles to focus on developing while it is lengthened and shortened (eccentric vs. concentric contractions).
Breathing during Movements It’s important to always remember to breathe during your exercises. Below each exercise description are suggestions for when to inhale and exhale.
Print out this calendar to help you stay on track.
Aim High! How to Improve Your Pointe and Toe Height
By Gina Pongetti Angeletti, Physical Therapist, Performing Arts Medicine Specialist
Lines in the air and on the ground are what often separates a mediocre performance from a World champion in Irish Dance. From hip to toe, the straighter the lines, the better. An illusion of height while weight bearing such as in toe stands and while moving with birdies or trebles are great examples of how the thigh-shin-foot line can express finesse’. The illusion of leg length and height with free leg work such as scissors is yet another example of performance mastery.
Rising high up on your toes, as well as pointing your toes in the air, are a result of four things: how strong the muscles are to get the foot there in the foot itself, the strength of the muscles that co-contract such as quads, glutes and hamstrings, how flexible the ligaments are to allow the bones to move, and flexibility of the tissues to allow the ankle to attain the position! With a deficit in any of these areas, it becomes harder and harder to reach that last 10% of perfection!
Working daily in warm up as well as in class is important, but how you work contributes equally to success. Using the right muscles in groups will train the brain that the pattern “goes together”, such as quads to tighten the leg as well as calf to point the ankle and toe muscles to point the foot. Or when standing, that the glutes stabilize the hip, hamstring pull back the leg to vertical, the adductors pull the legs together (such as in toe stand or roll up) and then the quads and calves function as previous.
Unfortunately, sometimes we sacrifice quality for quantity. Kicking higher is great, but with a bent knee, then teaches the wrong neuro pattern. Getting on “top” of your toes more may be great, but if you need to bend your knees and buckle at your hips to get there, it is not worth it. With pushing too hard, one can create achilles tendon issues if using the calf muscles too hard to lift the heel, when in reality, it may be ankle front flexibility that is the issue, for example.
Teachers need to be equally as concerned about preparation exercises as they are about creating positive group muscle patterns. Dancers need to constantly check posture and movement quality by videotaping and replaying from multiple different angels, slowing down video to watch exact positioning, and even getting assessed by a physical therapist for deficits to work on with a great plan!
Check out these suggested exercises to do regularly to create good patterning and the best possible foot position!
Discover 10 years of Irish Dancing Magazine adjudicator interviews with more than 50 of the world’s top judges. Learn about the judges’ lives, how they mark dancers, what their pet peeves are and more! A vital resource for EVERY competitive dancer and teacher.
Ellen G Walker TCRG - owner of 
